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Description
Night confession with squinting eyes and black humor: a voice that either whispers about the blood in the soul, or praises exploits in drunken promises. Here jealousy sounds like old vinyl - it crackles, but does not stop playing; here the willingness to do anything is packaged in manic tenderness and a little stupid determination - as if someone in all seriousness promised to drive all competitors out of life, but says this with a smile through a mouth full of whiskey.
The combination of threats and concern is like a postcard sent from the front of the senses: funny, disturbing and unexpectedly touching at the same time. Music turns impulses into a movie - a dark room, a flickering lamp, and next to someone who is ready to fight for attention, but most of all wants to just stay in the company. This voice is full of contradictions, a lively and slightly frantic diary of nightly feelings.
Directed by Omar Jones for Adele Drive
Top Dawg Entertainment Films in association with Warner Records
Executive Producers: Anthony "Top Dawg" Tiffith, Anthony "Moosa" Tiffith
Producer: Farah Idris
Production Manager – Simone Kirlew
TDE Producer: Henry Anguiano
TDE – Keaton Smith, Langston Sibins, Lauryn Kidd, Caroline Fromm
Production Coordinator – Malik Riley
First Assistant Director - Parker McMillan
Second Assistant Director – Andrea Lanting
Second Assistant Director – Robert A. Main
Location Manager – Ron Dabah
Cinematographer: Jay Suen
First Assistant Cameraman (Camera A) – Benjamin Hernandez
First Assistant Cameraman (Camera B) – Hannah Lee
Second Assistant Cameraman – Saori Kiani
First Assistant Cameraman (Camera C) – Evan Av Tal
Director of Photography: Fernando Lopez
Production Design: Daniel Lane, NuCalifornia
Props Master – Greg Gilbert
Head – Max Duck
Decorator: Maya Slininger
On-set costume designer: Will Manville
Scenic Design: Orion Martin, Gabriel Bruce, Gabe DeMonte-Finn, Ryan Salisbury
Assistant Artists – Travis Harrison, Jonah Porter
Chief lighting designer: Tate McCurdy
Assistant Lighting Operator – Clay Pacatte
Lighting Technician/Driver – Paul Kane
Lighting Technicians – Noah Shettel, Wei "Colvin" Eng
Key Neck – Tiger Whitesides
Best Vulture – Sam La Bas
Grip/Driver – Miles Schirra
Vultures – Max Joslin, Jake Condon, Dangle Kusenda
Boom Operator – Jorel O'Dell
Crane – Corey Keller
Remote Operator – Christian Hurley
Editing: Omar Jones
Colour: Miles Bevan
Visual Effects/Beauty: Max Colt
Captions: Quincy Banks
Marine Director: Bob Anderson
Stunt coordinator: Tony Snegoff
Pyrotechnics: John Eggett
Lyrics and translation
Original
You seem to know, done this before. Where is the love?
I couldn't let go, felt in my soul. This is the one.
Yeah, you've seen me naked, know all my faces. Last night I got so fucked up.
Fucked up. Can't blame me to say that I'm going places. Why don't you come?
'Cause I thought that you were serious.
Yeah, I thought that you were telling the truth.
Oh, I must be delirious, 'cause I really would fight bitches for you.
'Cause I really would, I really would, beat a bitch up.
'Cause I really would,
I really would, beat a bitch up.
You take me out of my element just for me to do things you never did.
Die for me or die with that other bitch.
You pissed. 'Cause I'm way too fucked up for you. I'll beat that bitch up too.
Toe tag in the trunk for you. I'd be way too drunk with you.
But it's fine with me, as long as you're spending your time on me. Don't put my hand on that Bible, please.
I like it. So I thought that you were serious.
Yeah, I thought that you were telling the truth.
Oh, I must be delirious, 'cause I really would fight bitches for you.
'Cause I really would,
I really would, beat a bitch up. Beat a bitch up.
'Cause I really would, I really would, beat a bitch up. Beat a bitch up.
Woulda done anything, anything, anything for you if you gave me time or place.
I really would.
I really would, beat a bitch up. I really would, beat a bitch up. 'Cause I, 'cause
I. 'Cause I really would, I really would, beat a bitch up. Beat a bitch up.
'Cause I really would, I really would, beat a bitch up. Beat a bitch up. I really would,
I really would, beat a bitch up. Beat a bitch up.
'Cause I really would, I really would, beat a bitch up.
Beat a bitch up.
Beat a bitch up