More songs by Kendo Kaponi
More songs by Omar Courtz
Description
The night smells of Filipino notes and cocktails - as if someone mixed Phillie with alcohol and decided it tasted better that way. The lights flicker, the mirror reminds you that holding a pose is almost an art form, and movement becomes a quiet provocation: close, but not quite accessible.
This whole story is about the dexterity of the moment: ringing “booty calls,” bold glances, shoes in hand, and promises until morning. The music whispers that you can be both daring and imperturbable at the same time; the body remembers the rhythm, and the mind pretends not to notice. Indistinct promises about “tomorrow” sound like a compliment: if you don't mind, stay; if not, let it be a story that is pleasant to revisit.
With a slight smile on your face, you remember your friends and fake admirers, like a noisy background that only embellishes the scene. The ending is still simple: louder bass, another round, and the confident feeling that this evening can be packed into a suitcase and taken with you - let the world go to hell, and your heart will be on repeat.
Lyrics and translation
Original
Damas y caballeros.
-Ella. -Están escuchando fenómenos distintos.
-Ella. -¿Ustedes saben quién es?
¿Ustedes saben?
¡Omar!
Él nota, me mira a los ojos y se pone nerviosa.
-Ozuna.
-No sé si es que está bellaquita o está cariñosa. Subió el nivel y sin estar fumando.
Baby, tú sabes con todos los que ando.
-Tú sabes quién es.
-Si está suelta, ¿por qué está esperando a mí? Sin decir nada me habla en el espejo. Siempre se retrata sin ropa.
No andamos en una nave, pero flotamos. Siempre que nos escapamos.
Oh, mezclamos phillie con alcohol. Contigo cojo el booty call.
Llama, si tú me llamas, yo estoy, mami.
Y si no nos comemos hoy, sí, mañana vamos hasta que salga el sol. Ey.
Y si no nos comemos hoy, sí, mañana vamos hasta que salga el sol.
Oye.
Está por ahí como tú te estás, adaptá'. La movie a estos cabrones la tengo de 3K.
Esa combi es cara, en la tienda no está. Pelinegra como la suegra que me detesta.
Termina como la boba del novio pesca'o. Y ahí va otro bobo con la combi y ovo.
Yo con la muñeca y no es la de Cobo.
Como dice Ozuna, entro por la puerta con la gorra puesta y me la robo.
Revendido en Levilla con la baby saliendo del Minilla. Dos T en el pecho como el
Marc Camillo. Omar es pa' la gata, pero Kendo se pilla al que pilla.
Pero si estás tú, baby, dejo correr las manecillas.
Sal, baby, que estoy aquí afuera con un escándalo cabrón. Me la he aventado toda.
Oh, mezclamos phillie con alcohol. Contigo cojo el booty call.
Llama, si tú me llamas, yo estoy, mami.
Y si no nos comemos hoy, sí, mañana vamos hasta que salga el sol.
-Ey.
-Y si no nos comemos -hoy. -Sí.
Mañana vamos hasta que salga el sol.
Ella sale de la disco a las seis.
Los tacos en la mano y en la teta los tres, mami. Ella vio la movie y yo ni le hablé. La vi en cuatro y dije: "No puede ser".
Te voy entrando en la nave nueva, va flotando. La pego al espejo pa' que lo vea entrando.
Hoy no es la Urus, pero te la lambo toda.
Oh, haciéndolo te ves, bebé, bien exótica.
Yo se lo hago rico y los ojos echa pa' atrás. Me las, me las suelto como las cuarenta, Kendo.
Con la nota de Young Blud yo le llego y hacemos lo que tú quieras.
Oh, mezclamos phillie con alcohol. Contigo cojo el booty call.
Llama, si tú me -llamas, yo estoy, mami.
-Y si no nos comemos hoy, sí, mañana vamos hasta que salga el sol.
Ey.
Y si no nos comemos hoy, sí, mañana vamos hasta que salga el sol.
English translation
Ladies and gentlemen.
-She. -They are listening to different phenomena.
-She. -Do you know who he is?
Do you know?
Omar!
He notices, looks me in the eyes and gets nervous.
-Ozuna.
-I don't know if she's beautiful or affectionate. He raised the level and without smoking.
Baby, you know everyone I hang out with.
-You know who it is.
-If it's loose, why is it waiting for me? Without saying anything he talks to me in the mirror. He is always portrayed without clothes.
We are not in a ship, but we float. Whenever we run away.
Oh, we mix phillie with alcohol. With you I take the booty call.
Call, if you call me, I'm there, mommy.
And if we don't eat today, yes, tomorrow we will go until the sun rises. Hey.
And if we don't eat today, yes, tomorrow we will go until the sun rises.
Hey.
It's there as you are, adapt.' I have the movie of these bastards in 3K.
That van is expensive, it's not in the store. Black hair like the mother-in-law who hates me.
She ends up like the dumb boyfriend Pesca'o. And there goes another fool with the combi and ovo.
Me with the doll and it's not Cobo's.
As Ozuna says, I walk in the door with the cap on and steal it.
Resold in Levilla with the baby leaving the Minilla. Two T's on the chest like the
Marc Camillo. Omar is for the cat, but Kendo catches whoever catches.
But if it's you, baby, I let the hands run.
Come out, baby, I'm out here with a fucking scandal. I've thrown it all away.
Oh, we mix phillie with alcohol. With you I take the booty call.
Call, if you call me, I'm there, mommy.
And if we don't eat today, yes, tomorrow we will go until the sun rises.
-Hey.
-And if we don't eat -today. -Yeah.
Tomorrow we go until the sun rises.
She leaves the club at six.
The tacos in the hand and on the breast, all three, mommy. She saw the movie and I didn't even talk to her. I saw it in four and said: "It can't be."
I'm getting you into the new ship, it's floating. I stick her to the mirror so she can see him coming in.
Today it's not the Urus, but I'll give it all to you.
Oh, doing it you look, baby, very exotic.
I make it rich for him and he turns his eyes back. I loosen them, I loose them like forty, Kendo.
With Young Blud's note I'll get to him and we'll do whatever you want.
Oh, we mix phillie with alcohol. With you I take the booty call.
Call, if you call me, I'm here, mommy.
-And if we don't eat today, yes, tomorrow we will go until the sun rises.
Hey.
And if we don't eat today, yes, tomorrow we will go until the sun rises.